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Lite-On LVW-5005 DVD Recorder
Is it finally time to say, "Au Revoir, VCR"? So a bunch of us reporter types were sitting around CES 2003, and we kept hearing that recordable DVD finally stood poised to replace the VCR, since the prices had come down to the $600 range. Marketing people are paid to make these unrealistic claims with a brave smile, but the journalistic consensus was that recordable DVD would indeed replace VHS. . .when the price was closer to $200. We also hoped that format-compatibility issues would largely be resolved by that time.
Almost a year and a half later, I hold in my hands the $259 Lite-On LVW-5005, purportedly the first DVD recorder that can write DVD+R/+RW and DVD-R/-RW, plus inexpensive CD-R/-RW discs for the handy VideoCD (352-by-240 resolution, 68 minutes of MPEG-1 on a 700-megabyte blank) and Super VideoCD (480-by-480 resolution, 34 minutes of MPEG-2) formats. A built-in tuner means that it's programmable for up to six hours of TV recording, while ample inputs allow for digital archiving of videocassettes.
Wiry!
From a television-recording standpoint, the only thing missing is some sort of program guide, perhaps along the lines of TV Guide On Screen. Instead, we must settle for the old-fashioned start/stop/channel approach.
Oooh. . .Shiny
In practice, the LVW-5005 really is as simple to use as a VCR, with the extra step of finalizing discs so that they can play in other decks—a process that only takes about two minutes if the disc is full. (This isn't necessary with DVD+RW discs.) The beauty of the DVD-recording exercise lies in the aptly named Easy Guider menu. The clearly indicated directions had me up and burning in a few clicks. The deck recognized and formatted my blank discs in about five seconds. Everything from "Insert Disc" to "Go!" is covered. With TV recording, I didn't make a single mistake or waste a single disc. These menus combine with a remarkably uncluttered remote to make the experience quick and stress-free. The image quality, largely limited by the integrity of the original signal, is affected by the addition of some minor to moderate digital compression, depending upon the setting used: HQ for one hour of maximum-quality recording, SP for two hours, EP for four hours, and SLP for six hours. At its best quality, compression adds the faint blockiness common to good satellite TV or so-so DVD images. Bright text, in particular, can become difficult to read, and the lower-quality compression settings (on top of a hazy VHS picture, for those transferring old videotapes) can be self-defeating, so I definitely recommend the higher-quality settings.
The TiVo Connection
Here, however, I did find another shortcoming: Since TV typically arrives in 30-minute nuggets, a one-touch recording option in that increment would be a welcome addition. SLP is handy and economical, but this level of compression (atop any introduced by TiVo itself) upon original capture results in an unpleasant analog-style softness, surprisingly reminiscent of our old friend VHS. Audio is at best a respectable two-channel mix. Chapter markers are automatically inserted at the default rate of every five minutes (or you can set it to 10, 15, 20, 25, 30, or none at all), ideal for anyone who wants to navigate finished discs quickly. This is where the Edit button comes in handy, before finalization, for naming the chapters via a virtual onscreen keyboard. A simple disc menu is also created, pulling an early frame from each recorded program as a thumbnail to identify the individual titles. My only other recording gripe is quite minor: The deck input resets to TV of its own accord after each shutdown or whenever a DVD is loaded, requiring another step in the next recording session.
Let's Get Digital
And It's a Player, Too
During Finding Nemo, however, the player introduced halos I've never seen before on this title, and an undeniable softness tainted all of the DVDs I watched. The Faroudja/Sage demonstration disc further challenged the deck, as the luma and chroma separation analysis exposed serious flashing rainbows over the test pattern and flicker on the real-world images. The different deinterlacing exams also revealed severe flicker, as well as jagged video edges and feathering of video text on film. The LVW-5005's real story is its painless multi-format magnanimity and relative ease of use. If pricing remains competitive, some additional features and refinements could make a future Lite-On DVD recorder the stepping stone of choice for a generation of VHS refugees.
Highlights
Article Continues: At A Glance »
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FireWire allows for high-speed data transfer and also enables commands via onscreen virtual camcorder playback controls. Such raw digital tape-to-disc dubs are great if your personal masterpieces are watchable as is or for a quick backup of a DV cassette. Here's where I ran into trouble and wound up making a few coasters, though. The virtual camcorder controls disappear with Easy Guider engaged, forcing me off the couch to press play on the camcorder itself. Also, the recording quality repeatedly defaulted from my chosen HQ down to SLP, for a frustrating and costly few minutes. One final cautionary note: This deck does not support 8.5-gigabyte dual-layer recording, which is expected to spread like wildfire this year.