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Denon AVR-5308CI A/V Receiver:
Problems and Solutions
Closing the single space allowed access to Internet radio, podcasts, and a free 30-day Rhapsody trial. These Internet-based features proved to be among the AVR-5308CI’s most enjoyable secondary offerings. I particularly enjoyed the migration of Internet radio from the computer to the home theater environment. Trust me, you’ll love it, especially if you use it with Denon’s Restorer function, which claims to uncompress compressed audio. Whatever it did, it made Internet radio sound better than I’ve ever heard it. A mysterious operating-system glitch caused a complete loss of sound when I accidentally hit the remote’s Monitor Select button instead of Mute. Nothing restored the sound, not even a complete microprocessor restart, which meant I had to reconfigure everything again. This was a two-day drain of time and energy (and of course no movie or TV watching). I solved the problem when, in desperation, I plugged in headphones and got sound. When I unplugged the phones, it signaled the receiver to route sound to the speakers. This is a serious software glitch that Denon needs to examine, although I couldn’t cause it to repeat. I feel bound to report this, although it doesn’t dampen my enthusiasm for this benchmark product.
But What About Sonics?
The program tamed my room’s low-bass bump without destroying the bottom-end whomp. But I was even more impressed by the way it smoothed out my Tannoy speakers’ overall response. The Denon subjectively filled in a midrange trough and gently dipped a high-frequency peak. These design choices give the Tannoy speakers a pleasingly laid-back quality, which is fine, given the brashness of many soundtracks. The Tannoys also have a touch of added glisten for some sparkly excitement. But the Audyssey processing produced smoother overall response that created a far better speaker with greater vocal intelligibility and a cleaner, more pleasing top end. I’m sold on the Audyssey system based on this experience. It’s transformative. The 150 watts per channel of THX-certified amplification should be sufficient for most consumers. The AVR-5308CI’s amplifier section produced smooth, detailed performance. It was also free of the metallic aftertaste found in cheap receivers, where cost cutting tends to gut the power supply’s juice flow. Given the AVR-5308CI’s features, excellent-sounding digital decoding and DACs, and its state-of-the-art video processing, the amplifiers Denon included in this $5,200 receiver are easily up to the task of fulfilling the front end’s promise. However, don’t expect the power and punch that only a separate, more powerful bank of amplifiers can provide. When I ran some audiophile-quality 5.1-channel SACDs into the analog inputs and bypassed all of the AVR-5308CI’s DSP, the sound was not just “hard to fault,” as the audiophiles say when they damn a system with faint praise. Actually, it was downright seductive, particularly on top, where cheap electronics can add etch, grain, and other hardening ingredients.
Conclusion
Highlights
Article Continues: At A Glance »
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I’ve watched sections of concert films in Dolby Digital and DTS before, but I’ve never sat through a whole one. That all changed when I popped in the David Gilmour Blu-ray Disc. I sat through the entire concert, immersed in and mesmerized by sound I’d never before associated with picture. On good recordings, compressed cardboard-like textures, hashy sheen, and hard edges give way to shimmering transients, satisfying midband bloom, and natural sustain and decay.